The smell of polished nails, keeping intact
the coffins of hands and feet,
proliferate
in the streets; the cooked dusk watering
the mouths of returning birds; the pears
like electric bulbs obscuring more than
illuminating the room; the night
unloading
its perforated paint, in Vincent’s
canvas.
The clock echoes the drums of arteries
kicking away against the womb of
eternity
only to face a battery in the mirror.
It’s sad
how the corpse of snow eats away the
worms
of the roof, staining the ceiling with
dark clots
of dried blood. There is a botched up
mask
in my mind, I wear it during nightmares
only to blotch my reality. The reaper
wags
its scythe like the deaf pianist’s thin
fingers
on the highway phone booth receiver. He
nods
to nothing. The road leads somewhere he
doesn’t even care about. A blind beggar
tells him it’s from his mother in
heaven.
She is being boiled in light. You’ll
hear
the prophecy someday. Till then, hang up
and hang down. Laugh and cry. Hit and
run.
Hammer a dent in the membrane and plant
the seed of promise which will either
grow
into hollowness or betrayal. Pluck a
thorn
and tell me if you see the blueprint of
abandon.
Love with money as crutches is cheaper
than the rum that makes the ambulance
driver return to the site of accident
instead
of the hospital. You think me reckless, 1
desperate and mad, but the thread of
result
your argument hangs with is knit by the
same
orthodox imbeciles as you. The rapper
heckles
your loudness with speed because he knows
the holes you’re so proud of will one
day
leak all your dirt. Bleach the collar of
your shirt
but first bleach your heart. I know it
doesn’t hurt
but that’s because you think emotions
are hurdles
that you already crossed. Embrace the
demons
you suffocated, so they won’t eat you up
one day.
This day is my own but so are my demons.
Listen 2
the colours now erupt from my eyes, like
two
planets coming together only to separate
in
reticence. Suspend the
fixation-fragrance benumbed
with trenchant flood. The shrubs plunge
up marked
like Cain. The bedimmed bark floating,
dreaming
of metamorphosing into the metrical ship
of poesy.
The lampblack-ink tortured, squelched
and spread
like a lachrymose wench. Tedious this
skull of thought
and incomplete worth. What after all are
deaths but
the movements of marionettes? The spider
immolating 3
its mate, or the crab consuming its
fountainhead.
And I keep asking you, “How many more
free calendars 4
shall grace the kitchen door?” Count
them like sheep.
Do not protest asleep, comrade, feigning
vigil,
impeding the wakeful, just sleep if you
must
for it can’t always not be dry, the lake
of will
and it is fine for you have indomitable
trust
in murder and the leisure to be
melancholy. 5
The grammar book in a face-off with
modernist novels
and classical music in a face-off with
experimental music
superintended by the dictator pelted by
anarchists
is interrupted by an audience that
comprehends
the necessity of feeling honest
complexity.
The mood-war is not pacified by the
victor.
En costume blanc clotted in the mud I
wake 6
every dystopian dawn, until the library
is bread 7
or pyramid or anything else, just not
mere letters.
I chase the glacier of shadows that will
allow
me to cross to your shore, from where
you shoot
indiscriminately at my carrier pigeons.
They are not
your food. I am yet to reach the balcony
of rain
in the castle of the phoenix. I cannot
always be ash.
Redeem the time, redeem the dream, o’
lizard, 8
climbing up your walls. The cannons fire
lame soldiers 9
that attack your armour instead of your
flesh.
You eventually get your victims crisp
and fresh.
The butterfly grabs the chicken wings
and rests
on a future that argues no sunset. A
briefcase
of blue eyes and bruised smiles and
paper lies
disregarded by the lawyer opens up a
scar deeper
than the grey abyss. The dust swirls and
rusts the wind,
scratches the scab on your shoulder,
empties the bottles
of wine, irritates the nostrils, as the
critical patient
coughs up a dilemma on the operating
table that
throws Prufrock out of joint. The cradle
is still locked
to milk and lullabies, the chimney
choking in its own smoke.
The pied piper asks for a match to burn
a bunch of rats.
Em can’t be certain who exactly is the
gnat. He thinks
he is Batman but Wayne never got
Covid-19 because
he never ate a bat. The bat ate him.
What ate the Joker?
A joke? A card? A circus? A mental
hospital? You okay?
Why are you looking for a razor blade
now? Look there.
The downtown train shaves your armpits
and covers in fog
the restless vagabond. You dance on the
sofa under the streetlights
as the wound under your feet aggravates
into a leper-melody.
The prison-cooker whistles loud and
screeches open the eyes
of convicts to the shadow ballerina as
the melting rice soaks
the ground like semen. The boxing bag
swings until the fighter
punches it to a halt. I defeat, reach
the top. There are cans
of liquid and chemicals. There are tanks
of distilled water.
There are trees disintegrating into
nooses. There are
children trying to jump from the edges.
Soon,
the roof extends itself into a mossy
crypt.
I mistake the neon for the setting sun.
The bulb has no craters. Footsteps break
it.
I bleed yet can't put my grip on the
gun.
A shadow crawls between two open
windows.
A cat struggles to open the secret
passage
that leads to an ancient ritual site
where virgins
burn widows sacrificing wedding feasts
and obituaries. The funeral march leads
to
a desolate battlefield fought by
incestuous criminals
against an army of slaves not to
themselves
but others. The rifles are filled with
chocolates.
Look at that car. Let it arrive slower
than your
hearing but faster than your eyes. Wait.
There
are still a few seconds before the end
of the world.
The jasmine sheds its skin inside a
scarecrow
who shuns his responsibility to the
crops
for the crows who are his reason for
being.
He comforts himself with a song of
denial.
Multi-national companies account for
every fool
who find their footsteps echoing
calculations
made by computers. The tradition only
works
with individual talent, not with mass
incompetence.
The clouds come together now in
turbulence
but fail to precipitate. The cycle
broken in the gutter.
The rider forgetting his own physique
only records
that will continue to be broken anyway.
What an
inconstant relationship! We all gather
to mourn daily.
As the moon keeps spinning webs inside
my cerebrum,
the radio like an injured reptile hisses
and hums:
I want you to be happy but I'll arrange
the fun times
I want you to create art with clichéd
lines
I want you to change society while
accepting it
I want it scot free but after your
inspecting it
I want you to stay silent but I will
ring the bells
I want you to be different but like
everyone else
I want you to stay inside the box but
think outside it
But even if you do I will take ages to
go outside it
I don't want you corrupt but I want you
to bribe him
I want him to find his own way but you
to guide him
I will eat whatever I want but I want
you handsome and tall
I will cheat on you if you look or call
me ugly or small
Beauty is inherent but a woman has to
work to be beautiful
Every flower is different but isn't the
sunflower pitiful
Learn for your own growth but in the
exams you cannot fail
Life is meaningless but if you murder
humans you go to jail
You
rest your case in your ability to see.
But
what is sight that leads to blindness?
You
care less because he is a hero, you are
careful
with yourself, while you pluck another.
Fabrication
in the fabric of your conviction,
you
are a convict of your perspective, you are left
only
with ideas and words. A sequence of suns
and
shadows, flowers and bees, mosquitoes and nets,
fishes
and rods, caves and fields, hell and nothingness.
The
sound and the sting in the head, all my own.
The
butterfly has remained, the chrysalis has flown.
What
is the book to the bark, the bark to the book?
What
is the butcher to the meat, the meat to the butcher?
What
is a prison to a bullet? What is a convict to a prison?
What
is the hollow to the body? What is the body to the hollow?
The
emptiness during runtime is popcorn. The runtime
during
emptiness is a shot of feeling. Emptiness is a joke.
Runtime
is a construct. The space for breath is every second.
The
space to register is while you cross the road and end
up
in an accident. The accident of realization. And you choke
blood
and you breathe heavy. Until the sirens call you to light
and
betrayal. What is the ship to the water? A dagger running
through
the body without cutting it. The only hollow is the wind
in
the sail. I am both the hammer and the dent. The knife
and
the slit. The blood and the throbbing. The fire lightening
the
black, the black darkening the fire. I am the melting wax.
I
am ma. What I do fills. Me. It. No one else. The womb
is
the only exception. The umbilical cord. The mouth.
The
hand. The nostrils. The other creating the self.
Where
is the wound in the shadow, where is the thought
in
the reflection? Everything is a stranger to nothing.
But
nothing is never a stranger to everything. If time
is
the perpetrator of change, time slits the eye of life,
and
the blindness of nothingness is merely the growth
of
life to death. There is no wound or pain after life.
The
peak of dolour is birth itself. So you weep and scream.
All
suffering is the suffering of existence. The greatest nail
to
the cross is the sail tossed by the tempest, trampled
by
the waves. Survival is a competition of painlessness.
Pain
need never be compared unless it's for the cure.
Everything
is invalidated one day, another's opinions
or
doom, neither should matter to the consciousness.
Do
not register anything but your self. No one else
is
going to register it for you. Live and let live, and
know
living is killing. There never was another way.
Fog
reveals warmth, that we still live and breathe,
and
the heat accumulates against the winter of the world.
Confusion
reveals thought, that we still care and love,
against
the betrayal and rejection of the world.
Who
believes in the want to change? Who trusts
the
wish to reveal? The curtain echoes change.
And
affection is as tasteless as ash. The lava
erupts
worse than tears, and no consolation
is
enough. You bind my words which bind
my
thoughts which bind my identity which binds
the
blindness that plagues the city. What I speak
and
what you hear are as different as the dog
and
its leash. What you release you will not releash.
What
you relieve you will not relive. So, you keep
all
that you feel, even if they do not fill. Your refill
never
full and the grass unshaken. It is deep
so
refrain from dipping your heart in my hurt
lest
it bleeds your reflection, even worse your idea.
You
aren't Frida or paints would consume you
like
poison. The methane in the gutter evoking
the
moment we met, Thames glowing under a starry
night
in front of the studio behind the gallery,
the
same us Seamus wrote that story about
revoking
the usual Künstlerroman plot blotting
poise
with shutter speed, spitting stew, deodorant
suffocating
the rodent, and a cab to take us
to
the cabin, where later we would make love.
Are
you afraid I see through your mask, hypocrite?
You
utter greed clothed in angel wings. Fallen?
You
are lost in a crowd that I don't even care about.
Frozen
like clothes damp in a room
rarely
perforated by sunshine, smell
of
fungi and cobwebs stuck to the broom
like
a street lamp invisible in a well,
I
have awaited the arrival of the dead.
She
is lost to the crops lying wasted
in
the godown, decomposing a music
arranged
with more care than ikebana.
How
will I ever explain the pain of the wick
that
lost its flame? What is nirvana
to
one who has nothing to think about?
Where
must I go, to whom will I shout?
To
the silence of the abyss, I convey
my
emptiness, but it is incapable for once
to
echo or stare back. You look away
and
like an ashamed heart, the windmill runs
and
churns electricity and keeps the earth
alive.
Light doesn't know where to keep hurt.
I
don't know where to quench my thirst.
I
just sing like the darkling thrush and burst.
You
have detonated my heart like Lakhvi, the terror
of
love, the sound of grief deafening, blinding smoke
making
ripples in my nonchalance, why did you come
seeking
me after ages of our separation? The mirror
reveals
a skeleton charred. I in hesitation choke
my
flesh to preserve my soul as you sinisterly hum
our
prayer to the summer of our intimacy. What is this
shade,
your curls now are my nightmares, my greeting
is
a broken whisper, a sigh of defeat. I can't war anymore,
I'm
the injured soldier of love, sheltered in this temporary
camp
away from society. Leave me alone with my delusions.
The
battlefield is desolate and you are the queen of the chessboard.
I
am a mere pawn who couldn't reach the other side. Kill me.
I
won't turn myself in or change colours. Don't expect me to run
as
you approach with your sword and horse, hoofing my
weariness.
Why do you talk of an impossible future, why lie
now?
If only words could relieve the torment. If I could just
hold
myself and cry, cry, cry. But the void is perpetual…
During
the heights of my emotional fall you could stab me
with
a dagger a million times and I wouldn't flinch or grimace.
Hurt
is absence. Hurt sounds like retreating footsteps
that
will come back again tomorrow with longing.
Hurt
looks like a smile that can't hide dried tears.
Hurt
feels like a breath so cold you'd wonder
if
this person is even alive. Hurt smells like cigarettes.
Hurt
tastes like blood that keeps spilling from the wrist
no
matter how hard you try to close the wound.
Hurt
is a greater absence. I have only one word:
suffocation.
I suffocate daily but I refuse to hurt
anyone
else. The demon can't kill me anyway.
Let
it eat me away more and more. I have just
one
thing to say to it: I am infinite. That is perhaps
why
my suffering is infinite too. But I endure
like
a ninja. I wish the fox could be infinite enough.
I
wish my death could be neat enough.
The
touch that seldom offers lenity unearths
countless
crevices in the impatient psyche
of
my dilemmas soon reducing me to rubble.
I
scour for traces of my building, but there are
only
bones, no flesh. The archaeologist
studies
the cadaver, ponders for a while and tells
the
inquisitive gendarme it is suicide
not
murder, and the case is closed. I ring the bells
but
nothing stops, the movements are so furious.
In
the night, arrives a vagrant seeking shelter
and
I let him perceive the darkness of my fire.
He
understands himself and carries my remains
in
his empty pocket hoping finally
to
get a good price after selling them in parts
to
a scholar or a poet. But my whole
at
the idea of further fragmentation trembles
and
becomes a wave: a light, a sound? How will
I
know? But my escape gives me a form! I kill
my
consciousness and touch another building…
Why
should you be afraid of me when you
aren't
afraid of yourself? Death has no deeds
to
grace itself, so it relies on last words, say it.
Perhaps
death is untrue, or love loses its credibility
in
it. A false faux pas, shaking a spear before the fire!
Our
significance turned insignificant by God.
Life
is breath yet breathless. Everything happens
all
at the same time. The then and now, the memory
and
the experience blending like saffron and blue,
like
a sunset, you forget and remember at the same
moment.
Every moment is a canvas that you paint
with
sand. Your tears like the tide, cementing it.
The
physical, emotional, intellectual and spiritual
selves
intertwined like a helix. The turnings of the stair
a
necessity to reach the expanse of it. Perhaps
it’s
more about breadth than height. The horizon
calmer
than the sea, yet bleeding hues softer than
the
water. You are the quicksand, I am the tree.
My
shadow is a part of the other in reaction to me,
the
reaction with light constant. Where did he go,
when
he reversed his shoes in the dark? The colours 4
you
parade tied to a tightrope; a walk in the park? 10
Do
you feel the shade, the wrath? Do you see the shark
missing
its mark? Or the lark failing to herald the dawn?
You
forget with age the pain reducing, the understanding
increasing.
Suffering decreasing yet a different suffering
increasing.
The scream of birth suffocated with silence.
With
footsteps echoing another. With shoes that fit
and
the feet growing. The stranger familiar, the familiar
stranger,
calling you to the painlessness of the grave.
The
birth cry unto a whimper. The universe dissolved
in
a light that you longed had lingered. But that is
the
purpose of light. Everything else is darkness.
People
in the dark may love the dark but are
always
attracted to light. Because they are
addicted
to burning, to sustain their ashes.
There
is fun in going against the prohibition:
Jo
mai na kahu tu vo bhi sun. The bandaid in the pavement
stopping
the greatest wound. The flood and the ark,
the
forgetfulness of hunger, the chemtrails of one
who
refuses to bless his poem. And the song, the shriek
erupting
throughout the rhetoric of decay. The meter
erratic
like a patient conscious upon a table, the fable
of
vacillation. Certainty is never love, God is hesitant
with
us. The world is too less with us. Listen to the unspoken
delectation.
Deliver unto the cradle the far cry of the broken.
The
sweetness of the honey irremediable, perennial. The queen
a
whore, the poet a whore, the singer a whore, the painter
painting
the whore. Red. Read again. Shed again. Satan
in
a conspiracy with God. Lilith eavesdropping. Adam
and
Eve unaware. Leaves dropping from the groin.
The
titanic wars of show, of TRP, of sales, of Bitcoins;
the
stocks bullied and bluffed until the charges were dropped
by
the Church. They hang aloft like wind chimes against the door.
The
spirit afraid to tread in the head. The brig rigged.
The
reformatory mutilated. ThOMas' blue bird still
like
The Chinese Wall, the Grecian Urn, Pandora's Box,
the
Covid Jar. The ailment milked by vaccines, and hope.
The
toilet sealed with tissue, as the odours of the lilac issue
from
the kitchen. Preach us not, to dare, to share, to care.
If
preached, if taught, it won't be daring, sharing or caring.
Those
who run drowning, those who won frowning,
find
the course coarse. The core in furor, the spark in disarray,
nuclear
scatter, biological tatter, the tongue in the platter,
the
voice did good to the taste: the toothpaste self-assured.
Those
who stole away found the chimneys beautiful.
The
widows in the meadows, the witches in the beaches,
crooning
to Sasha Sloan. A black cat moaning in the hut,
terminating
the services of the brigand. The bridge burned.
Hagrid
collecting sticks, caging the elephant, his mother
wanting
him dead, spiders in his head, Ron's wand
broken
by Wanda, frightened, Harry's vision obscured,
of
course cured by Hermione later, unnecessarily, what?
It's
all blurred, Ron's nightmare. Where is the car, the dance?
The
crux ordinaria, the ordinary Christ, the whore's crux,
the
Horcrux pulverised, Ball de Morgue's ankh, unsettling.
Osiris'
angels revolting, re-bolting the spectre. The firmament
of
Lain's lion. Galileo's lane blocked by plagiarism, pirates
against
the government, the revolutionary father of the monkey.
Who
ultimately is the demon? Me? And who is my devil?
The
evil is feeble and the Old Age Homes peaceful. Discuss,
don't
diss and cuss, there is enough curse upon the bus,
fussing,
rushing, faster than the hare in the turtle race.
Who
is the sloth, the snail, the tortoise, the trusting face?
The
hibernation of naïvety, the peace, the sea, the sea.
Who
is the foe? The rabbit? The Rabbi? Count to three.
One,
Two… The three dots are my deaths. A cat is thrice
my
price. The mice jealous yet smart as Jerry. Seinfeld's crisis.
The
journey burning, the quiet frightened. Smoke. Choke. Woke.
Wole
Soyinka's telephone still ringing in every ear. Poke. Evoke.
The
kindness metamorphosing into apathy. The death of the moth.
Who
is the sloth? The brothel of hotspots. Is this verse as ugly as me?
Good.
The beauty you cherish will wear away like your flowers.
The
ugliness of truth will stay. Lead the way, dismay. Away from the lie.
I
am blacker than the nigger universe, perennial, and your transient light
only
a moment, your white and red, bleeding yet the same. The same!
Throb,
rob me. I am the robin against the white winter. Your pretty snow
only
for show. Your coldness, the reality underneath it all. Unfeeling
mess
of oppression! The cheap plastic knife of the Japanese Buffalo.
The
creep joint of the outlaw. The creepy foreskin of the hoodlum doll.
The
matryoshka skulking its pall. I, Vyasa, have forespoken it all.
The
masquerade of ens reale, the ens entium of gall and wormwood.
The
chameleon ensconced, camouflaged by the zebra and the leopard.
The
juniper tree desolate tonight. O' veiled lady, call me Fate tonight.
The
haunt and laughter of schizophrenia has made me quite jolly.
Should
I carve a smile again in the wall, the shadow of my face
is
rotten like moss. You're Arthur, an earthling. Remember it.
The
air rings with thy sweet laughter, the leaves and flowers
gain
their colour after thee. Filled with nectar yet concealed
from
eyes, thy fingers touch the water while thou rise,
floating
above this trivial terrain. Thou breathe so free,
the
breeze envies thee. To some fairy land thou belong,
where
fountains perennial of words and knowledge flow.
The
melody surrounding thy every step. Warm fauna
accompanying
thy stroll, leading thee to the heart of Eden,
where
thou sit with a fruit in hand, and insufflate the pages
of
thy dearest book. The oars break, the shores shake, you wake;
the
boat of dreams capsized in different banks of the same river. 11
The
anarth of unearthing the cemetery to build a university
and
is it really joruri to make a joruri out of students?
Kindness
is directly proportional to smartness
or
you'll trouble trying to help. Keeping your cool
in
the heat of arguments, keeping someone warm
even
when you're cold, only knowledge can spread
knowledge.
Stupidity breeds more stupidity,
eventually
disaster. Again, intelligence isn't intelligence
without
kindness, so there's that. It depends, who the fool
turns
out to be. The greatest irony of course is everyone is.
Everything
is doom's fool. Doom is such a mood!
If
the mist lessens, har simt I'd fill with cigarette smoke.
If
the clouds conceal the lodestar, the firefly at the edge
will
light her way. The lesson thus of calamity is a bridge.
Break
the connection and you break the vow,
Break
the vow and you break the touch,
Break
the touch and you break the chain,
Break
the chain and you break your tongue,
Break
your tongue and you break your life,
Not
the system or the law, only your own freedom.
As
if you brake to break a butterfly upon the wheel!
You
break a lance against the caterpillar which
breaks
a leg in the courtroom, leaving the cocoon
out
of judgement. You break and enter into agreement
with
the broker, broker than the Ten Commandments.
You
end up breaking a sweat to become even more broke
than
before. Never have I seen anyone this broken.
I
break away just like your wife who never cared
for
the strife. You break bad, then you break cover.
Your
wife and I break even. You break down, end up
in
prison. You break ground to break free. But the police
break
new ground in anti-escape technology. Those who try
to
break loose end up losing their joints and bones.
They
break your balls anyway. You break off communication.
You
break your arm patting yourself on the back.
You
get into the prisoners' baseball team. You break your duck.
You
break your back trying to break your lance.
You
reach your break point and break the deadlock.
Your
win breaks the web. You break out early. To celebrate,
you
break the bank. You ask us for shelter but we break
your
heart. You break ranks with us. You blurt out
we
broke our word but we say we never gave our word.
And
you break up with us. And you break wind backwards.
We
break off our breakfast and leave the restaurant.
We
wish they broke you on the wheel. You wish we got breakbone.
We
meet a B-boy in the street breakdancing to Breaking Benjamin.
He
tells us he will make a breakthrough someday. We tell him
people
like him break the mold. I tell your wife you broke the net
when
this guy here is so much more talented. Your wife tells me
the
world's unfair as you break the seal behind the bar.
The
bartender's wife breaks water. And you refuse to help.
So
no one helps you either when the breakdown lorry
tows
your car. We reach the break room and get us some food
before
the conference. We are a part of the breakout group.
The
senior workers break the ice with newcomers. One of them
used
to be a breaker boy. In the television, the breakout character
breaks
the Sabbath and someone changes the channel.
In
the breaking news, the finance minister breaks the silence
on
the break-even point, the police discuss a break-in
at
the store at the break of dawn, General Lee breaking records
like
he does generally, frabjous break-bones sighted at Crab's joint,
break-axe
smuggled to the brocalists' locale, Brocken spectres
not
sighted by tourists, two wrists broken in arm wrestling,
brocked
players cheating at chess, broken windows theory
abrogated
after artists' protest, the Queen tested with broken wind,
and
the broken record continues. Finally, we hear of your suicide
and
realize you were such a broken reed. But don't worry,
no
one's gonna remember a broken vessel anyway. We end up
promoted
after our conference and married after a month.
We
heard no one came to your funeral, does that bother you?
Because
it doesn't bother us. We are happier without you.
And
that's how many a tale ends without a moral.
The
only way to be poetic today is to be outrageous.
Because
things are grey. And I am not I. Perhaps you.
Poetic
justice? More like poetic life. Life doesn't give a fuck.
Just.
Unjust. Trust. Mistrust. Distrust. Destruct. Betrayal.
Trial.
Trail. The Holy Grail. The Unholy Wail. Fail. Fail. Fail.
Notes:
1 Murder In The Cathedral, Part II,
Thomas Eliot.
2 The Wisdom Of Life, Chapter III,
Arthur Schopenhauer.
3 Lud-In-The-Mist, Chapter 3, Hope
Mirrlees.
4 Pale Fire, Vladimir Nabokov.
5 Paris: A Poem, P.6, Hope Mirrlees.
6 Les Complaintes, Complainte De Lord
Pierrot, Jules Laforgue.
6 Living Or Dead, III, Rabindranath
Tagore.
7 The Library Of Babel, Jorge Luis
Borges.
8 Ash-Wednesday, IV, Thomas Eliot.
9 The Adults Are Talking, The Strokes.
10 The Flowers Of Evil, Spleen And Ideal, Against Her Levity, Charles Baudelaire.
11 Living Or Dead, II, Rabindranath Tagore.